From an early passion for automotive design, I had a lifelong fascination with form, function, and creativity.  inspired by car design, I developed a deep appreciation for craftsmanship, proportion, and movement . Over time, that evolved into skills from many practices in engineering, model making, and visual arts. I feel my work bridges technical design and fantasy.  Each project reflects a balance between form and structure while merging the emotional depth of an artist.  Whether working on a sculpture, a painting, or digital media, I continue to reflect how design can create artistic expression.

Over the past few months, I have been creating and fabricating video grip gear for video. Using this equipment to help other creatives to make their ideas into video.

My creative journey started in product design, where I learned to think with my hands. Every project began with sketches, models, and prototypes — small worlds built from foam, resin, and imagination. I loved the craft of turning an idea into something real and tactile. Whether I was sculpting a toy prototype or refining a sleek object, the studio was my playground — full of tools, textures, and the smell of freshly cut material.

But something shifted over time. I realized that what excited me most wasn’t just the final product — it was the story behind it. I wanted to show how things came together, how form met function, how light hit a surface just right. That curiosity naturally led me into video production.

At first, I treated filming like another form of prototyping. I built small sets, rigged cameras onto homemade mounts, and experimented with lighting rigs that I designed myself. My background in product design made me approach filmmaking as a kind of mechanical art — every shot had to be constructed, tested, and fine-tuned.

Rigging became an extension of my creative process. Instead of assembling prototypes, I was building miniature worlds for the camera. I’d design custom rigs to move lights or props just right, using the same precision I once used to align parts of a product. Setting up a shoot felt like building a set piece — calibrating motion, depth, and perspective until everything clicked.

That hands-on approach turned out to be my bridge between disciplines. The design mindset — problem-solving, iteration, attention to detail — translated perfectly into filmmaking. Where product design taught me structure, video production taught me storytelling. Together, they shaped how I think about visual experiences: it’s not just about how something looks, but how it moves and feels.

Now, whether I’m designing a product or directing a scene, the process feels familiar. It’s about constructing something from scratch, experimenting with materials, light, and space until a story takes form. Moving from product design to video production didn’t change my identity as an artist — it expanded it. I still build things yet it’s for the lens now.